Biblioteca Florencio Sánchez -EMAD-
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The Macmillan
localizada en :
Nueva York
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Documentos disponibles de esta editorial (4)
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(1966)
TÃtulo : |
In Various Directions : a view of theatre |
Tipo de documento: |
texto impreso |
Autores: |
Tyrone Guthrie (1900 – 1971), Autor |
Editorial: |
Nueva York : The Macmillan |
Fecha de publicación: |
1966 |
Número de páginas: |
221p |
Idioma : |
Inglés (eng) |
Clasificación: |
ARTES ESCÉNICAS - TEATRO
|
Etiquetas: |
ENSAYO |
Clasificación: |
792.026.1 GUTi |
Nota de contenido: |
1. Self-Portrait. 2. Theatre as Ritual. 3.Classical Theatre and the Entertainment. Industry. 4.Shakespeare on Stage. 5. Hidden Motives in Five Shakesperean Plays. Hamlet. Coriolanus. Julius Caesar. The Merchant of Venice. The Tempest. 6. The world of Thornoton Wilder. 7. Theatre versus Television. 8. Theatre and the University. A portrait and Two Profiles. Lilian Baylis Ninette de Valois. Laurence Olivier. 10. Theatre in New York as Compared to London. 11. Is. There Madmess in "The Method"? 12. Dominant Director. 13. Tribute to Age. 14. Local Theatre Is to Prosper. 15. Adieu, "Old" Met!. 16. Other Public Pleasures. Football at Manchester. Brass Bands at Bolton. Going to the Dogs. Boxing. A Royal Occasion. |
Link: |
https://www.biblioteca.emad.edu.uy/pmb/opac_css/index.php?lvl=notice_display&id= |
In Various Directions : a view of theatre [texto impreso] / Tyrone Guthrie (1900 – 1971), Autor . - Nueva York : The Macmillan, 1966 . - 221p. Idioma : Inglés ( eng)
Clasificación: |
ARTES ESCÉNICAS - TEATRO
|
Etiquetas: |
ENSAYO |
Clasificación: |
792.026.1 GUTi |
Nota de contenido: |
1. Self-Portrait. 2. Theatre as Ritual. 3.Classical Theatre and the Entertainment. Industry. 4.Shakespeare on Stage. 5. Hidden Motives in Five Shakesperean Plays. Hamlet. Coriolanus. Julius Caesar. The Merchant of Venice. The Tempest. 6. The world of Thornoton Wilder. 7. Theatre versus Television. 8. Theatre and the University. A portrait and Two Profiles. Lilian Baylis Ninette de Valois. Laurence Olivier. 10. Theatre in New York as Compared to London. 11. Is. There Madmess in "The Method"? 12. Dominant Director. 13. Tribute to Age. 14. Local Theatre Is to Prosper. 15. Adieu, "Old" Met!. 16. Other Public Pleasures. Football at Manchester. Brass Bands at Bolton. Going to the Dogs. Boxing. A Royal Occasion. |
Link: |
https://www.biblioteca.emad.edu.uy/pmb/opac_css/index.php?lvl=notice_display&id= |
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Ejemplares (1)
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03622 | 792.026.1 GUTi | LIBROS | EMAD - Biblioteca Florencio Sánchez | COLECCION GENERAL | Disponible |

(1952)
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08170 | 792.021 FRIs | LIBROS | EMAD - Biblioteca Florencio Sánchez | COLECCION GENERAL | Disponible |

(1966)
TÃtulo : |
The Composite Art of Acting |
Tipo de documento: |
texto impreso |
Autores: |
Jerry Blunt, Autor |
Editorial: |
Nueva York : The Macmillan |
Fecha de publicación: |
1966 |
Número de páginas: |
450 p |
Idioma : |
Inglés (eng) |
Clasificación: |
ARTES ESCÉNICAS - TEATRO
|
Etiquetas: |
ENSAYO |
Clasificación: |
792.026.1 BLUc |
Nota de contenido: |
Part I. THE DRAMATIC EXPERIENCE. 1. Expression. 2. The Dramatic Form and the Theatre. 3. The actor and the Audience. 4. The Acting Process. Part II. PANTOMIME. 5. The Expressive Body. 6. The Basic Movements. 7. Creating the Pantomime. 8. Center of Interest. 9. Characterization. Part III. VOICE. 10. The voice. 11. Vocal ecercises. 12. The Experiments of Tone. 13. The Expressive Word. 14. The Expressive Tone. Part IV. ACTING 15. The Acting Complex. 16. Synthesis and Synchronization. 17. Stage Business. 18. Characterization. 19. INner State of Being amd Emotion. 20. Action and Reaction. 21 Tempo and Climax. 22. Styles of Acting. 23. The creative Cycle. Appendices. A: Pantomime by Parts. B: The Processes of Speech. C: Phrasing. D: Articulation Exercises. E: The Nature of Emotion. F: Stage Properties. G: Stage Falls and Stage Struggles. |
Link: |
https://www.biblioteca.emad.edu.uy/pmb/opac_css/index.php?lvl=notice_display&id= |
The Composite Art of Acting [texto impreso] / Jerry Blunt, Autor . - Nueva York : The Macmillan, 1966 . - 450 p. Idioma : Inglés ( eng)
Clasificación: |
ARTES ESCÉNICAS - TEATRO
|
Etiquetas: |
ENSAYO |
Clasificación: |
792.026.1 BLUc |
Nota de contenido: |
Part I. THE DRAMATIC EXPERIENCE. 1. Expression. 2. The Dramatic Form and the Theatre. 3. The actor and the Audience. 4. The Acting Process. Part II. PANTOMIME. 5. The Expressive Body. 6. The Basic Movements. 7. Creating the Pantomime. 8. Center of Interest. 9. Characterization. Part III. VOICE. 10. The voice. 11. Vocal ecercises. 12. The Experiments of Tone. 13. The Expressive Word. 14. The Expressive Tone. Part IV. ACTING 15. The Acting Complex. 16. Synthesis and Synchronization. 17. Stage Business. 18. Characterization. 19. INner State of Being amd Emotion. 20. Action and Reaction. 21 Tempo and Climax. 22. Styles of Acting. 23. The creative Cycle. Appendices. A: Pantomime by Parts. B: The Processes of Speech. C: Phrasing. D: Articulation Exercises. E: The Nature of Emotion. F: Stage Properties. G: Stage Falls and Stage Struggles. |
Link: |
https://www.biblioteca.emad.edu.uy/pmb/opac_css/index.php?lvl=notice_display&id= |
|
Reserva
Reservar este documento
Ejemplares (1)
|
03109 | 792.026.1 BLUc | LIBROS | EMAD - Biblioteca Florencio Sánchez | COLECCION GENERAL | Disponible |

(1953)
Reserva
Reservar este documento
Ejemplares (1)
|
00946 | 792.024.2 BRAw | LIBROS | EMAD - Biblioteca Florencio Sánchez | COLECCION GENERAL | Disponible |